#Adobe fresco vs illustrator update
#Adobe fresco vs illustrator software

Adobe obviously spent a long time laying the groundwork for the current generation of its mobile apps, but after a year of updates Photoshop still has that unescapable minimum feasible product feel. To sum up, the iPad version still needs to grow up or at least move in a more rapid pace with its updates. What is somewhat alarming regarding the pace of future updates is that the most basic features such as canvas rotation have just become available, while we’re still waiting on being able to save brushes, swatches or – for that matter – to use vector paths offered by the Pen Tool. On mobile Photoshop, the brush tool is only a tripped down version of its desktop counterpart and there is no option to save brush sets with their attributes.Įven wiith all these welcome changes, unfortunately there are still many basic Photoshop features that are bafflingly absent on Adobe’s mobile platform. Refine Edge can be found in the on-screen menu after making a selection. When you look at the above image closely, you’ll see that there is always room for such refined enhancements after the Select Tool’s initial appliance. With Refine Edge, once a selection is made, one can brush in details like rough edges and more, along with adjusting settings like Edge Refinement and feathering.

#Adobe fresco vs illustrator update

In its most recent update Photoshop for iPad received yet another tool essential for initiating precise selections, called the Refine Edge brush. Curves can be found in the Adjustment Layers menu. With curves, one can adjust points throughout an image’s tonal range, enhancing the tools applied to photos like non-destructive dodge and burn, etc. Another useful photo-modification tool adopted to mobile use is Curves Adjustments. Other recently added features include the auto-activation of Adobe Fonts on PSD files opened in the iPad app to be conveniently edited on the go.

Select Subject is a well-executed feature for mobile Photoshop and an immersive help in preparing artifacts for digital documentation. Taking a high-resolution photograph of an artifact is entirely possible with Apple’s latest iPad Pros and with Adobe’s Object Select tool one can now isolate and move a fragment to an artificial template with the touch of a few buttons. We’ve found it especially useful for cleaning up fragment photos on the go. This is a feature that works well enough to be adopted for digital work at the monuments. Most of these changes were intended to refine the selection of certain elements of a photograph, a natural desire on a touch-first device, such as the iPad! With Object Select (which is the equivalent of desktop Photoshop’s Select Subject tool) one can now select a specific area on the canvas for Adobe’s Ai to automatically find and highlight the object within that area. Nonetheless, over the course of the past twelve months, there have been a gradual number of updates initiated for the software, mostly plugging in photography-oriented features already available on desktop.

#Adobe fresco vs illustrator software

Although Adobe never intended to replicate the desktop equivalent of their software on mobile devices, we found their first iteration a bit too “bare bones” to be really useful for digital documentation. So, before we turn towards Illustrator for iPad, let’s have a look at last year’s newcomers, Photoshop and Fresco, and see how much they have evolved over the past year.įor obvious reasons, adopting such a complex software as Photoshop to the iPad was not an easy task.

It’s been a while since we last gave you a status report on Adobe’s creative suit adapted to mobile devices. Illustrator on the iPad (Image source: Adobe)